The Symbol of Women in The Heart of Darkness - Free Essay Example

Sample details Pages: 4 Words: 1169 Downloads: 3 Date added: 2019/06/12 Category Literature Essay Level High school Tags: Heart of Darkness Essay Did you like this example? In the novel Heart of Darkness by Joseph Conrad, women symbolize pretty illusions and the European civilizationrs capability to hide its bigotry and racism behind pretty ideals. In many areas in the book, women are described to be out of touch with the truth, and oblivious to the horrific events happening around them. This depiction of women is meant to portray them as lesser than men, and only as followers to the nefarious ideas of the West. Don’t waste time! Our writers will create an original "The Symbol of Women in The Heart of Darkness" essay for you Create order They are also seen as devotees that elapse the beliefs of the white colonists, illustrating them as stupid and naive. Throughout history, women have been depicted as such, and Conradrs novel is no exception. Joseph Conrad became a citizen in the late nineteenth century† and introduced the public to new perspectives regarding the autonomy of women and the gender roles assigned to them. Due to the presence of these perspectives†and the difficulty in ignoring them due to their controversy†Conradrs text can ultimately be found sexist due to its portrayal of women as non-complex figures for the male gaze despite the authorrs likely introduction to the contrary. This demonstrates how Conradrs decision to portray women as dull characters, is not justified. This choice of characterization connects to the symbolization of women as pretty illusions because they have no real importance other than acting as a bulwark for the barbaric principles of the colonists during this time. One example of this depiction would be Marlowrs aunt when he tells her about the beautiful ideas behind colonization, and how it conceals the execution of colonialism. She agrees with him, and this establishes how women are symbolizing the civilizationrs failure to acknowledge its corruption. His aunt also leads him to the heart of Africa to spread the glories and ideas of the West, demonstrating how she is blind to the fact that pushing ideas onto people without consent is ethically and morally wrong. All in all, this, along with many other examples, ties into the blatant sexism of the novel because women are painted as naive and oblivious to surrounding situation. Anothe r being how Conrad gives women little to no narrative, and how they arent given actual names other than, Marlowrs Aunt or Kurtz mistress. As pointed out by Gabrielle McIntire in The Women Do Not Travel: Gender, Difference, and Incommensurability in Conradrs Heart of Darkness, the only traditionally feminine name that appears in the novella is placed on an object: Marlowrs ship, the Nellie. While McIntire includes that the naming of vessels under feminine names was common for the period, she concludes that naming the ship a traditionally female name nevertheless underscores the fact that he leaves every woman of his text unnamed (McIntire 257). This lack of individuality displayed in the novel represents how women werent viewed as singular people, but always paired with a man, or an inanimate object; However, Conrad never hesitates to describe their physical appearance, which is evidently more important than their current personality or name. she was savage and superb, wild-eyed and magnificent, (Conrad 56). This shows the reader how he mentions how magnificent she is, but also throws in the fact that she is savage. The use of this word gives an understanding as to how Marlow describes the women as beautiful, however, since she is African, he still sees her as an animal because of her race. Overall, this connects with the theme of women being used as shields to hide the barbaric ideas of the West, because it displays how Marlow describes their appearance, but fails to mention anything about their personality; Thus, women are seen and used in the novel only for their beauty, painting them as the pretty illusions. This is exe mplified because Conrad also gives names to inanimate objects used by men and the colonists, but leaves out the names of actual people, while still pointing out how beautiful they are. Implying that their beauty is their only use in the novel, and something that isnt even human has more worth than them. As previously mentioned, in the novel, women are depicted to be more sensitive, fragile, and naive than men. This portrayal ultimately paints them as oblivious to the events happening around them, and men see it as their job to protect them from the real world since theyre hiding in the world theyve created in their head. This establishes blatant misogyny having to do with men feeling the need to protect women, as if they arent capable themselves. There are a few key examples from the book that demonstrate this representation, with one being Kurtzrs fiancee. The Intended is Kurtzrs fiancee. Marlow goes to visit her after the death of Kurtz. She seems to exemplify Marlowrs earlier statement that women live in their own world. She is nave to the extreme about Kurtz and about his activities in Africa. Her version of her fiance has little to do with the reality that Marlow has witnessed, yet he cannot bring himself to shatter her illusions. In the end, he decides to lie to her and tell her that the last thing Kurtz said before he died was her name. Marlow says that to have told her the truth would have been too dark†too dark altogether . . . . Marlow seems to have decided to heed Kurtzrs request that women have their own beautiful world that must not be sullied. This expresses the motif of the women in Heart of Darkness being blind to societyrs issues, and not being able to handle the truth about the world. It connects to the central theme of women being used to hide the inhuman ideals of the Europeans. Since the women are painted as naive, it shows the reader how they can easily be used by men to hide their ignorance and discriminatory principles. Overall, the idea of women not being able to handle themselves when faced with the harsh reality and having to be saved from it, gives us the impression that theyre naive and unintelligent. All in all, this depiction of women being deficient in intellect demonstrates how men saw them as an easy way for them In summary, the women in Heart of Darkness are used as pretty illusions for the colonists to hide their hypocrisy and racism behind pretty ideas. This is illustrated by the fact that Conrad gives women little to no narrative in the book, how Marlow only sees females for their beauty, and how theyre depicted as naive conformists. The minimal narratives given to female characters combined with the superficial view of women display how, in conclusion, Conrads novel exemplifies how women keep a pretty picture of the hypocrisy and corruption of the European colonists. Works Cited Carr, Willow. The Representation of Women in Heart of Darkness. Sosland Journal, (2016): 8. Web. Lewis, Linda Napikoski and Jone Johnson. Oppression and Womens History. ThoughtCo, Sep. 23, 2018, thoughtco.com/oppression-womens-history-definition-3528977. Odak, Sheila. Women in Heart of Darkness. Bright Hub Education, https://www.brighthubeducation.com/homework-help-literature/67924-women-in-heart-of-darkness/. Conrad, Joseph. Heart of Darkness. 1902. New York: Dover, 1990. Print.

Essay on Active Listening in Effective Communication

Listening is a skill that requires active, rather than passive, participation to advance shared understanding and minimise misinterpretation. Lang, Floyd and Beine (2000) describe active listening as a skill that ‘focuses on attending to patients’ clues, ie, utterances and/or behaviors that are not explicit but may have special meaning and suggest unshared ideas, concerns, and expectations’. This essay will discuss how active listening strategies such as analysing and displaying non-verbal body language, clarifying meaning and accuracy, expressing understanding for the speaker’s feelings through empathy and silence contribute to effective communication by encouraging the speaker to convey his or her thoughts, building trust and†¦show more content†¦As the speaker continues more information is given. The listener is then able to collect the verbal and non-verbal data to gain a better understanding of what is being communicated (Eunson 2008: 310). In addition to non-verbal body language, clarify meaning and accuracy assists the listener to gain an understanding of what is being said and also helps to minimise misinterpretation. Misinterpretation occurs when a message is not understood as the sender had intended (Duck McMahan 2009: 18). Carl Rogers advises that ‘a good rule of thumb is to assume that you never really understand until you can communicate this understanding to the others satisfaction’ (1987). Clarifying meaning and accuracy can be achieved in numerous ways including asking questions and paraphrasing. Paraphrasing allows the listener to check the accuracy of their interpretation of the speaker’s meaning by restating what has been said in their own words (Turner West 2009: 208 and DeVito 2011: 66). This can also help the listener gain the full picture as paraphrasing often encourages the speaker to extend on what has already been said (DeVito 2011: 66). 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American Influences on Syria - 551 Words

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Master of Educational Studies

Question: Discuss about theReflection on Te WhÄ nau Te MÄ rama Exhibition. Answer: Introduction: Te Whanau Marama Exhibition Description: The Waikato Museum and the University of Waikato Museum aligned to present an exhibition featuring the fruitful understanding of the history and conceptualised idea about Matariki. The exhibition will showcase the societal view based on the Maori traditions of the night sky or the heavenly bodies. The event will also forecast the revitalisation of the heavenly bodies in this modern world. The exhibition is reflecting the future forecast of the weather conditions and coming seasons. The purpose of the exhibition is to present the unique definition about the celestial body by considering the Maori astrology. Feeling: The arrangement of this exhibition by the University and the Museum is mainly focusing on the broadcasting the conceptual analysis of the heavenly bodies and future weather forecasts (Tyler, 2012). The experience I received there has changed the conceptual ideas about the celestial bodies. I gained the idea about the Maori celebration. As per the Maori astronomy, the population used the stars for calculating the time and the seasons. I have observed that the association of the external curators is fruitful enough to gather more specific and innovative ideas about Maori astronomy. Te Whanau Marama is the celestial bodies of sun. God has placed this sun and it plays the significant role in Maori fishing, agriculture, hunting, and building (Turi-Tiakitai, 2015). I could gather knowledge about the future seasonal events and weather conditions. Before visiting this exhibition, I was not at all aware of the underlying history regarding the creation of the stars, moon, sun, and gal axy. Therefore, it was quite mysterious for me to identify the different definition of the galaxy, stars, sun and moon. Hence, it was quite interesting place for me. However, attending such exhibition, I started receiving the keen interests on the Maori history, which provides the innovative description about the celestial body. I would rather prefer others to visit such exhibition to derive the diversified ideas about the creation of galaxy and other celestial bodies. The exhibition is even highlighting the probability of observing different language, culture, and ceremony. Evaluation: We do not usually involve in-depth thinking about the heavenly bodies, including sun, galaxy, moons, and stars. The exhibition was an appreciable event for redefining the meaning of such heavenly bodies. It was such a pleasure for me to understand the meaning of Maori or the heavenly bodies. In fact, the description of the future prediction by analysing the effects of the heavenly bodies is also quite interesting for me. It was a great experience for me to learn about the astronomy in a complete different way. I should admit that it was something fruitful and good experience for me. I am a learner and not a part of this culture. Hence, I faced difficulties to understand this completely. However, overall experience was much appreciable. Analysis: The culture defines the beliefs, experience, values, and attitudes of the diversified group of population. We know that people from different cultural background celebrate diversified cultural festivals. Each of the cultural group maintains the uniqueness. The analysis was based on the astronomical redefinition of the heavenly bodies. The sun, moon, and the stars are placed in the first house named Hui-te-Rangiora. These are then carried in a basket and placed in the sky (Britton Hamacher, 2013). This particular basket is known as Mangaroa, which is the Maori name of Milky Way. Hence, when we are looking up, the night sky reflects the dark pattern, which is running through the middle path (Orchiston, 2016). The analysis is presented for predicting the future weather conditions and the livelihoods of the societies. Conclusion: Visiting this exhibition, I could gather knowledge about the origins of Maori Astronomy. I received the idea of origins of heavenly bodies that we see in the sky. The exhibition was clearly highlighting the linking between the earth and the stars along with the several other traditional implements. Action Plan: If I receive the chance to visit this exhibition again, I would like to learn more about the astronomy. I shall try to gather knowledge about the effects of such heavenly bodies on the mankind, as predicted by the Maori Astronomy. It would be relevant for the better understanding of the Maori astronomy that has the significant impact on the future forecasts. The Wave: The application of the wave model is representing the different views that I have observed in the exhibition. I have considered myself as the helicopter and explaining the perspectives highlighted in the exhibition. The surfle indicates the overall view of the entire galaxy. The huge galaxy is perceived as the bigger space and thus it is considered as evolving. In analysing from the boatle view, I can state that the galaxy is much scary, as it is broad. However, if judged from a contradictory view of collecting pipis, the extensive area does not make any difference. On the other hand, the clifftop view is determining that the galaxy is just one of the many things. I may perceive that it does not create any kind of the special consequence in everydays life. Similarly, from the perspectives of a particular person, the entire galaxy is merely a space where the stars, sun, moon, and milky-way exist. Hence, the wave tool has been defining the different perspectives. I have visit ed the exhibition, which explained each of the details starting from the origins of galaxy. Hence, I could justify by analysing the different perspectives. References Britton, T. R., Hamacher, D. W. (2013). Meteors in the Maori Astronomical Traditions of New Zealand.arXiv preprint arXiv:1306.0651. Orchiston, W. (2016). The Skies Over Aotearoa/New Zealand: Astronomy from a Maori Perspective. InExploring the History of New Zealand Astronomy(pp. 33-88). Springer International Publishing. Turi-Tiakitai, J. R. (2015). TÃ…Â « Te Turuturu NÃ…Â  Hineteiwaiwa-Maintaining Cultural Integrity in the Teaching of MÄ ori Weaving. Tyler, L. (2012). Interpreting indigenous art in university collections.